Giordano Bruno i ars memoriae
نویسندگان
چکیده
منابع مشابه
Giordano Bruno: the Young and the Restless
Introduction: Giordano Bruno (GB) crater is among the youngest large lunar impact craters (22 km diameter at 36°N, 103°E (Fig. 1)). Its crisp morphology, extensive ray system, and spectral properties imply a young age (<<1 by). Spectral data [1, 2] indicate the ray material is immature having an optical maturity index, calculated from the Clementine 950/750 nm ratio [2, 3] of ~0.27. It was sugg...
متن کاملMeteor storm evidence against the recent formation of lunar crater Giordano Bruno
525 © Meteoritical Society, 2001. Printed in USA. Abstract–It has been suggested that the formation of the 22 km diameter lunar crater Giordano Bruno was witnessed in June 1178 A.D. To date, this hypothesis has not been well tested. Such an impact on the Earth would be "civilization threatening". Previous studies have shown that the formation of Giordano Bruno would lead to the arrival of 10 mi...
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The art of memory (ars memoriae) used since classical times includes using a well-known scene to associate each view or part of the scene with a different item in a speech. This memory technique is also known as the "method of loci." The new theory is proposed that this type of memory is implemented in the CA3 region of the hippocampus where there are spatial view cells in primates that allow a...
متن کاملAge of Giordano Bruno crater as deduced from the morphology of its secondaries at the Luna 24 landing site
We undertook a photogeologic study of Lunar Reconnaissance Orbiter Camera (LROC) Narrow Angle Camera (NAC) images of the ejecta of the very young 22-km diameter crater Giordano Bruno (GB) and for the Luna 24 landing site region, where secondary craters from Giordano Bruno are observed. Using the technique of Basilevsky (1976) for estimating the absolute ages of small lunar craters based on thei...
متن کاملArs Informatica–Ars Electronica: Improving Sonification Aesthetics
In this paper we discuss æsthetic issues of sonifications. We posit that many sonifications have suffered from poor acoustic ecology which makes listening more difficult, thereby resulting in poorer data extraction and inference on the part of the listener. Lessons are drawn from the electro acoustic music community as we argue that it is not instructive to distinguish between sonifications and...
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ژورنال
عنوان ژورنال: Filozofska istraživanja
سال: 2020
ISSN: 1848-2309
DOI: 10.21464/fi39410